Voice, Silence, and Resistance in Toni Cade Bambara’s The Lesson
DOI:
https://doi.org/10.63011/qryhm436Keywords:
black youth, voice and silence, resistance, womanism, rough awarenessAbstract
Existing scholarship on Black women’s literature has often emphasized themes of resistance, identity formation, and social critique; however, nuanced analyses of narrative strategies such as voice, silence, and interiorized resistance remain limited. This study aims to examine how Toni Cade Bambara’s short story The Lesson articulates the subtle and complex ways Black girls negotiate socio-economic and racial hierarchies through the protagonist’s evolving consciousness. Employing a qualitative literary analysis within a critical-interpretive research design, the study closely examines the text as its primary data source, focusing on narrative voice, moments of silence, and internalized reflection. Analytical procedures involved thematic and stylistic coding to interpret how Sylvia, the central character, internalizes her awareness of economic inequality and social power structures, navigating personal insight with emotional ambivalence and ironic narration. Findings reveal that Bambara depicts resistance not as overt action but as an ongoing, introspective process, wherein awareness emerges alongside discomfort, hesitation, and reflective tension. Sylvia’s ironic voice and selective silences illustrate both her critical engagement with societal inequities and the psychological weight of confronting class, race, and gender regimes. These insights demonstrate that political consciousness in The Lesson manifests through muted, persistent forms of resistance, highlighting the complexity of social awakening for Black girls. The study contributes to a deeper understanding of literary strategies for negotiating oppression and the embodied experience of resistance.References
Ahmed, S. R. (2023). A Feminist Study of Female Bildungsroman in Toni Cade Bambara’s “The Lesson”. Journal of the University of Raparin.
Edwards, J. M. (2009). Toni Cade Bambara and the Incongruity of Language, Narrative, and Politics (Master’s thesis). Georgia State University.
Joyce, J. (1994). Agent of Revolutionary Thought: Bambara’s Womanism and Resistance. In A. S. Wilentz (Ed.), Toni Cade Bambara: A Critical Companion.
Smith, B. (2009). Toni Cade Bambara’s Use of Black English in Her Fiction: A Study of Language as a Source of Power and Liberation (Master’s thesis). Texas Southern University.
Watson, S. (2019). Black Intimacy in the Popular Imagination: Re-examining African American Women’s Fiction (Master’s Thesis). Georgia State University.
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